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Google's AI faalt als financiële adviseur

Blog

Anton Greefhorst

01/09/2024

Gemini faalt als aandelenadviseur. Worden frequent vragen gesteld naar de toekomstige grootste stijgers en dalers op de Amsterdamse beurs, dan laten de antwoorden veel formele fouten zien, terwijl de financiële resultaten teleurstellend zijn.

The editors of diggit magazine cannot be held responsible for contents of the blog entries

About the blog

Diggit Blog is a learning and research instrument for the diggit community. Students, lecturers and researchers can use it to put up questionnaires, spark up a debate, ask questions or inform the broad public. You can for instance write a blog about the dangers of social media apps, or the impact of globalization.

Blogs are not reviewed by the editors, hence the editors of diggit magazine cannot be held responsible for contents of the blog entries. Hate speech, racist and sexist talk and any call for discrimination or anti-democratic action is forbidden. Complaints? Please contact us at info [at] diggitmagazine.com.

De problemen van ChatGPT met Mark Rutte

Blog

Anton Greefhorst

16/06/2024

ChatGPT treedt de regels van de AVG met voeten: een (on)mogelijk gerechtvaardigd belang, de verwerking van persoonsgegevens van Mark Rutte, waaronder zijn sexuele voorkeur, de (on)juistheid van zijn gegevens en zijn recht op informatie, inzage, etc

Joe Biden zet Donald Trump en twee vrouwen over

Blog

Anton Greefhorst

20/05/2024

De nodige experimenten met ChatGPT en de wolf-geit-kool-puzzel laten zien dat ChatGPT een Pavlov-reactie vertoont bij deze puzzel. Bij elke (extreme) variant van de puzzel wordt praktisch altijd een foute standaardoplossing gegeven.

Reactie op blog Jan Jaap de Ruiter

Blog

Tineke Bennema

02/04/2024

‘De bewondering van Arabieren voor 7 Oktober’ -een nadere analyse

Blog

Jan Jaap de Ruiter

28/03/2024

In De Telegraaf stelde ik:

‘Alom bewonderen Arabieren wat Hamas deed die dag ... Dat wordt in vele opzichten gesteund’.

Op deze opmerking kreeg ik commentaar en mij werd om bronnen gevraagd. Dit stuk gaat op deze kritiek in.

De nieuwe reclame van Interpolis is glashelder: gebruik niet je telefoon tijdens het rijden

Blog

Irene de Groot

14/07/2017

We weten allemaal dat het niet de bedoeling is, maar toch gebruiken veel mensen hun mobieltje achter het stuur. Verzekeringsmaatschappij Interpolis wil mensen wijzen op de gevaren hiervan en doet dat op een aangrijpende manier.

Michelle Choi and her autobiographical ‘Living Alone Diaries’

Blog

Jessaline Tanjung

18/06/2022

This article analyses how YouTuber Michelle Choi "writes" her digital autobiography online by looking at how she communicates with her audience and her online identity. Through her videos, Choi authorises shared memories with her viewers.

'Barca Nostra' at the Venice Biennale 2019

“Barca Nostra”: Differing Reactions in the Face of Collective Responsibility

Blog

Marit van Dijck

27/06/2022

"Barca Nostra" by Büchel is the display of a ship that sank between Libya and the Italian island Lampedusa in 2015. In its sinkage, many migrants died. Does its confronting, decontextualised display incite meaningful discussions as intended?

Dismaland distorted mermaid ariel and a broken down castle in the background

Banksy’s ‘Dismaland’: Antagonistic Participatory Art or Contemporary Engagement Fad?

Blog

Marit van Dijck

23/06/2022

The interactive Dismaland art project by Banksy that parodied the theme park experience was a critical success. But, can it also be considered as an example of an antagonistic, participatory artwork?

Pier 15 Breda skatepark Erik Kessel Destroy my Face art installation

Needlessly Dehumanizing: The Antagonistic Side of Kessel’s ‘Destroy My Face’ Installation

Blog

Marit van Dijck

19/05/2022

Kessel's antagonistic, participatory 'Destroy My Face' installation invited users of skate hall Pier 18 to destroy AI-generated portraits of people with plastic surgery. This resulted in a different kind of participation than intended.

Squid Game’s criticism on Capitalism, Classism and Worker’s Rights

Blog

Luna-Anastasia Riedel

07/05/2022

This paper will analyse how the TV-Show ‘Squid Game’ criticizes labour and capitalism in South Korea while also taking historic events into consideration to show that this issue is not just a recent one but one that has been going on for a while.

Dystopian Narratives: Squid Game and Parasite

Blog

Luna-Anastasia Riedel

07/05/2022

Parasite and Squid Game are examples of cinematic dystopian narratives which teach about classism and capitalism from the viewpoint of the directors and criticise the concepts while being highly entertaining.

South Korea and its Soft Power Boom

Blog

Luna-Anastasia Riedel

07/05/2022

This paper will discuss the meaning of soft power with a focus on South Korea and its ways of using said soft power and which influence this has on a local but also global level.

Grave of the Fireflies; a Movie Analysis

Blog

Luna-Anastasia Riedel

07/05/2022

Grave of the Fireflies is a Japanese anime drama movie published in 1988 through Studio Ghibli and discusses the story of fourteen-year-old Seita and four-year-old Setsuko, who are trying to survive in Japan in 1945 during the second world war

Twitch, Exhibitionism and Neo-Panopticism

Blog

Daniel Obubo

06/05/2022

In this blog post a focus will be made on the predominantly videogame streaming platform, Twitch and will explore the concepts of empowering exhibitionism